Keyboard Android: 2013-01-27

Friday, 1 February 2013

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Monday, 28 January 2013

How to Open a Locked Computer Without Knowing Password

Help with a lost Windows password Windows includes a hidden Administrator account that can be usedforproblems with other accounts. You can access it by restarting the computer into safe mode.

First, restart the computer. As it starts, repeatedly press the F8 key (some computers instead require the Delete or Esc key).

Instead of the familiar Windows screen, you'll see a text-only Advanced Options Menu.

Use the arrow keys toselect Safe Mode.

Then press Enter.

Select the Administrator account.

By defaultonmost computers,itrequires no password. Once logged in, you can change the password of the account you normally use.

To make the change, click Start>>Run.Inthe box,type "controluserpasswords2" (without the quotes) and click OK.

Select yournormal account name in the list.
Click the Reset Password button. You'llbe promptedfora new password.
Youcan restart the computer and use the new passwordon your normal account. If you're completely locked out of yourcomputer,you'llneedsoftware.Suchservices include Login Recovery, FastCrack, andNT Password andRegistry Editor. Each is free. They make use of boot disks that you can download toa floppyorburntoCD.Of course, you'll have to use some other computer to do the downloading. Once you've got access to yourcomputer,set a new passwordthrough Windows. To do it, click Start>>Control Panel. Double-click User Accounts. Select your account and click "Change my password."You'llbe promptedfora new password. You'll also have the opportunitytoentera passwordreminder. Itshould triggeryour memory if you ever forget yourpassword. But the reminder should not be descriptive enough to allow others to determine yourpassword.

How to Hack a WIFI...????

Download BT5 R3 Gnome from their website, google "Universal Hack Installer" and download it.

Now with Universal Hack Installer you can install the BT5 operating system onto a USB and boot off of it (to do this when you switch your computer on tap F11 many times and it should ask you what device you want to boot from to which you select your usb (if you used universal hack installer) or a dvd (if you installed the BT5 OS onto a DVD). This is how to get Backtrack working.

Now to hack a Wifi Password you must first know what type of encryption it uses for its passwords there are many different types such as: WEP (easiest to crack/hack, can be done in around 10minutes now adays), WPA and WPA2.

WPA and WPA2 have been very good at keeping hackers out as IN THE PAST the only way was to have a text document with hundreds of thousands of words (called a dictionary attack as you have a text document with heaps of words) and the program inside BT5 called aircrack-ng would test every word against the network until one may or may not finally allow you in, at which time aircrack-ng would say success! and state the passcode.

Luckily for you if your home network is WPA or WPA2 you can now use a program called reaver which can nearly 100% of the time get you a WPA/WPA2 password (it may take from 1second to 48 hours to crack.

Ok now that i've filled you in on the very basics of how to crack wifi passwords, look up tutorials on "WEP cracking in BT5" and "reaver cracking in BT5" these are the two best ways of cracking wifi passcodes. Just remember to only crack your own network (just try it out on your own as cracking other networks passcodes is illegal). A fun little side project you may want to try once you get the hang of it is making a text document and just typing your own password in it and then trying a WPA dictionary attack (if your network encryption is WPA) and it will say success the password is "YOUR PASSWORD".

Good luck it may take a while till you get comfortable with working with backtrack 5 but start with these tutorials below:

WEP CRACKING: http://www.youtube.com/watch? v=lDt7brrzlT8 WPA/WPA2 Dictionary Attack: http://www.youtube.com/watch?v=s4_2WexHM3A WPA/WPA2 Reaver Attack: http://www.youtube.com/watch?v=eWy5DDc5Hn0

Additionally at this link you can get access to the files I made when learning how to use backtrack to hack MY OWN NETWORK, I only permit you to use all the information I have given you so that you may learn more about wireless network by cracking your own network and any illegal use of my information is your own fault: -https://docs.google.com/folder/d/0Bx0ij8A0vx2lNVNiTm9zNnhFZEU/edit

PS you may want to note down the following as it is vital information to Wifi Passcode Cracking: -A BSSID or BS is a code that is given to your router and when an aircrack-ng program wants to know what network you want to crack you have to put down the BSSID so it knows which one (its like a code instead of a name such as "My home Wifi". -A router will be broadcasting on a certain channel and you need to know what channel so you can tell the aircrack-ng program what channel the target router is broadcasting on.

Luckily for you I've written this out because I cannot be stuffed to ever write it out again haha Source(s): I've successfully cracked my own home network when its been encrypted by WEP, WPA and WPA2 and done a lot more with Backtrack.

Senorita Zindagi Milegi Na Dobara Piano Notes

Scale: A Major Chords: A and B minor

First E is E4 and C# is C#5 i.e. in next octave.

na main samjha E C# B A

na main jaana C# B AA

jo bhi tum ne mujhse kaha hai Senorita C# B A A AA AA A G#AAB

magar phir bhi E4 D5 C# B4

na jaane kyun Repeat Previous

mujhe sunke accha laga hai Senorita DC# BB BB BB B AABC#

mujhko baahon mein tum ghero C#C# C#C# E C# DD

samjheen na Senorita BC#D D F#DEE

(Play on A5 note) chaahat ke do pal bhi mil paayein AA G# F# D F# G# F#E (Note F is accidental i.e. not in A major scale)

duniya mein yeh bhi kam hai kya FF#G# F# F D C#B D C# do pal ko to aao kho jaayein bhoolein hum hota ghum hai kya

REPEAT PREVIOUS.....

YAMAN........Carnatic RAGA.......

Kalyan or Kalyani, originally called Yaman, is a melakarta rāga (parent musical scale) in the Carnatic music of South India, and is also an important raga in Hindustani (North Indian) music.
Kalyani in Carnatic music
In South Indian weddings this is a very prominently played rāga. The word kalyani means she who causes auspicious things.
It is the 65th melakarta rāga under the Katapayadi sankhya. It is also called Mechakalyani. The notes for Kalyani are S R2 G3 M2 P D2 N3.
Specifics on this raga
Kalyani is slightly difficult to elaborate on in raaga alapna due to its similarity with Sankarabharanam with the only difference of the Madyamam (Ma). One should not remain too long on panchamam (pa) or alternate between shadyam and panchamam too frequently. Also, one must stress the characteristic madhyama very frequently or risk confusion with other raagas. Rishabham and Daivatam are also very key to this raagam and also aren't stressed very much in Sankarabharanam. Kalyani is a very beautiful raaga, and is prominently known among the public.
Structure and Lakshana

Kalyani scale with Shadjam at C
It is the 5th ragam in the 11th chakra Rudra. The mnemonic name is Rudra-Ma. The mnemonic phrase is sa ri gu mi pa dhi nu [1]. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
ārohaṇa: S R2 G3 M2 P D2 N3 S
avarohaṇa: S N3 D2 P M2 G3 R2 S
(Chathusruthi Rishabam, Anthara Gandharam, Prati Madhyamam, Chathusruthi Dhaivatham, Kakali Nishatham)
It is a Sampoorna raga in Carnatic music, that is to say, has all the seven notes: Sa, Ri, Ga, Ma, Pa, Dha, Ni. It is the suddha madhyamam equivalent of Dheerasankarabharanam, which is the 29th melakarta.
Janya Rāgams
Kalyani has many janya rāgams (derived scales) associated with it, of which Hameer kalyani, Mohanakalyani, Saranga, Sunadavinodini and Yamuna kalyani are very popular. See List of Janya Rāgams for full list of rāgams associated with Kalyani.
Popular compositions
Nearly every significant Carnatic composer (including the Trinity of Carnatic music) has composed several pieces in the Kalyāni rāgam. Kalyāni is also considered one of the "major" rāgams of Carnatic music along with Sankarabharanam, Todi and Kharaharapriya (the set of "major" rāgams is an informal grouping of the most popular rāgams used for elaboration and exploration, and which often form the centerpiece of a Carnatic music concert in the form of a rāgam thānam pallavi (RTP) or a krithi). See next section for further information on relationships between these rāgams.
Here is a short list of well known compositions in Kalyani.
Vanajakshi, an Ata tala varnam composed by Pallavi Gopala Iyer.
Nidhi chaala sukhama, Ethavunnara, Sundari ni divya, Amma ravamma and Vasudevanyani by Thyagaraja
Kamalaambaam bhajare and Bhajare rechita by Muthuswami Dikshitar
Nambi Kettavarillavo, kallu sakkare koLLiro by Purandara Dasa
Himadri suthe pahimam by Syama Sastri
Unnai allal by Ambujam Krishna
Sadanandame by Koteeswara Iyer
The Tamil movie Sindhu Bhairavi has a track called Kalaivaniye that is set in the Kalyani rāgam and sung without an avarohaṇam.
Related rāgams
This section covers the theoretical and scientific aspect of Kalyani.
Kalyani's notes when shifted using Graha bedham, yields 5 other major Melakarta rāgams, namely, Hanumatodi, Sankarabharanam, Natabhairavi, Kharaharapriya and Harikambhoji. For further details and an illustration of Graha bedham of this rāgam refer Related rāgams section in Sankarabharanam page.

Kalyan in Hindustani music
Aroha & Avaroha
Arohana S R G M+ P D N S'
Avarohana S' N D P M+ G R S
Vadi and Samavadi
Vadi is Ga, Samvadi Ni.
Pakad or Chalan
Kalyan has no specific phrases or particular features, many musicians avoid Sa and Pa in ascend or treat them very weakly. You often hear N0 R G M+ D N S' in ascent and S' N G M+ G R S in descend[2]).Sa is avoided in beginning the ascend such as N0 R G M+ P D N S'
Organization and relationships
There is some discussion whether Yaman and Kalyan really just are different names for the same raga, or that these are actually 2 ragas. Joep Bor says "Kalyan (today usually referred to as Yaman)"[3]. Kaufmann[4] says that Yaman and Kalyan are just different names, but insists that rāga Yaman-kalyan is different as there natural Ma is occasionally inserted between two Ga, like Ga Ma Fa Re Sa, while in all other instances tivra Ma (Ma+ is used (as in Kalyan). S. Bagchee [5] agrees with Kaufmann. Bor : If natural Ma is occasionally added in a concluding figure leading to Sa, the raga is known as Yaman-Kalyan[3]Kalyan is mixed with several ragas:
Shuddha Kalyan
Puriya Kalyan
Yamani Bilawal
Thaat: Kalyan is type raga of Kalyan thaat. In thaat Kalyan, all notes are shuddha (natural) except teevra (sharp) Ma.
Behavior
Yaman is regarded one of the grandest and most fundamental rāgas in Hindustani music. It is one of the first rāgas taught to students.
Samay (Time)
Kalyan should be performed during the first quarter of the night.
Seasonality
Rasa
Kalyan is described by Meshakarna(1570) as "lord in white garments and pearl necklace on a splendid lion-throne, under a royal umbrella, fanned with whisk, chewing betel"[3]A song text is:Hey friend, without my loverI don't find peaceAt any moment of the day;Since my lover went awayI spend my nights counting the starts
Historical Information
Yaman is not an ancient rāga. It is first mentioned in the literature in the late 16th century, by which time it was very popular: The Sahasras contains 45 dhrupad song-texts for Kalyan and five for Iman-Kalyan. According to Venkatamakhin(1620), Kalyan was a favourite melody to the Arabs, and Pundarika included Yaman among his 'Persian' Ragas [3].
Origins
Important recordings
Amir Khan - Shuddh Kalyan, Yaman, and Yaman Kalyan
Rashid Khan - bandish in vilambit ektal (India Archive Music IAM CD 1003)
Ravi Shankar in matta tal: "The Genius of Pandit Ravi Shankar", Oriental Records Inc, New York AAMS CD108
Imrat Khan "Nordindische Ragas, Live"
Zia Mohiuddin Dagar on Nimbus Records, LS5871 / NI7047/8
Film songs
"Chhupa lo yun dil mein" in "Mamta" (1966)
"Zindagi bhar nahin bhulegi barsaat ki raat" in "Barsaat Ki Raat" (1960)
"Jab deep jale aana" in "Chitchor" (1976) Music by Ravindra Jain.(to hear it)
"Aansoo bhari hai yeh jeevan ki raahen" in "Parvarish" (1977) Music director Dattaram
References
^ Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
^ Kaufmann(1968)
^ a b c d e Bor 1997
^ Kaufmann 1968
^ Bagchee 1998
External links
Examples of Kalyan:
Chandan Sa Badan
Alāp by Budhaditya Mukherjee Kolkata, India, 6 January 2006
Drut Gat by Budhaditya Mukherjee Kolkata, India, 6 January 2006
Riyaz of Prashant Uday Manohar on violin
song "Bhuli Hui Yaadein" on Saaj
Abhik Mukherjee, sitar, Raag Yaman, drut

Carnatic RAGA LIST...........:-)

Carnatic - Lyrics - Raga List

List format
-----------
mElakarthas:
-----------
Number | Name | ArOHanam | avarOHanam

janyas:
------
rAgA | mEla | ArOHanam | avarOHanam

svara Format:
------------
S R1 G1 M1 P D1 N1 S <--- kanakAn'gi, for example

Note: The ragas with (*) by their names have unverified parent ragas
       and/or arohanam/avarohanam. If anyone has any concrete and
       documented proof of the parent ragas or scales for these, please
       mail me so that I can update the list. Thanks.

References
----------

For ragas which have questionable arohanam/avarohanam patterns, I have
included a notation which indicates the source of that particular
entry in the list.

(a) Raganidhi
(b) Ragas in Carnatic music

-----------------------------------------------------------------------------
RAGA Equivalencies
------------------

panthuvarALi                          = kAmavardhini
kAshirAmakriya                        = kAmavardhini
udhayaravi chandhrikA                 = sudhdha dhanyAsi

10 | nAtakapriya
sindhu bhairavi |10| S R2 G2 M1 G2 P D1 N2 S | N2 D1 P M1 G2 R1 S N2 S

13 | gAyakapriya
kalagada |13| S R1 G3 P D1 N1 S | S N1 D1 P G3 R1 S

14 | vakulAbharaNam
vasanthabhairavi |14| S R1 G3 M1 D1 N2 S | S N2 D1 M1 P M1 G3 R1 S

19 | Jan'kAradhvani
pUrnalalitha |19| S G2 R2 M1 P S | S N1 D1 P M1 G2 R2 S

40 | navanItham
nabhOmaNi |40| S R1 G1 R1 M2 P S | S N2 D2 P M2 G1 R1 S

46 | shadhvidha mArgini
thivravAHini |46| S R1 G2 M2 P D2 N2 S | SN2D2PM2G2R1G2M2R1S

52 | rAmapriya
rAma manOHari |52| S R1 G3 M2 P D2 N2 D2 S | S N2 D2 P M2 G3 R1 S

54 | vishvAmbhari
vijayavasantha |54| S M2 P D3 N3 S | S N3 P M2 G3 R1 S

56 | shanmuKapriya
chinthAmaNi |56| S R2 P M2 P D2 N2 S | S P D1 P M2 G2 R2 S

57 | simHendra madhyamam
sudhdha rAga |57| S R2 G2 M2 P N3 S | S N3 P M2 G2 R2 S

58 | HemAvathi
vijayanAgari |58| S R2 G2 M2 P D2 S | S D2 P M2 G2 R2 S

61 | kAnthAmaNi
shruthiranjani |61| S R2 G3 M2 P D1 N1 | N1 D1 P M2 G3 S R2 S

62 | rishabhapriya
gopriya |62| S R2 G3 M2 D1 N2 S | S N2 D1 M2 G3 R2 S

66 | chithrAmbari
amRuthavarshiNi |66| S G3 M2 P N3 S | S N3 P M2 G3 S

-----------------------------------------------------------------------------
janya rAgA index
----------------

janya rAgA                           mElakartha
----------                           ----------
AbhEri                         ---       22
abhOgi                         ---       22
AHiri                          ---        8
amarasenapriya                 ---       60
amrithavAHini                  ---       20
amRuthavarshiNi                ---       66
Anandhabhairavi                ---       20
AndhOLika                      ---       22
Arabhi                         ---       29
ardhradhesi                    ---       15
asAvEri                        ---        8
atAna                          ---       29

bAgEshrI                       ---       22
baHudhAri                      ---       28
balaHamsa                      ---       28
ban'gALa                       ---       29
begada                         ---       29
bEHAg                          ---       29
bhairavam                      ---       17
bhairavi                       ---       20
bhUpALam                       ---        8
bhUshavaLi                     ---       64
bilaHari                       ---       29
bindhumAlini                   ---       16
bowLi                          ---       15
brindhAvanasAran'ga            ---       22

chandhrajyothi                 ---       41
ChAyAnAta                      ---       34
ChAyAtharan'giNi               ---       28
chinthAmaNi                    ---       56
chiththaranjani                ---       22

dhanyAsi                       ---        8
dharbAru                       ---       22
dhesAkshi                      ---       29
dhEvagAndhAri                  ---       29
dhEvakriya                     ---       22
dhEvamanOHari                  ---       22
dhEvAmRuthavarshiNi            ---       22
dhilipakam                     ---       22
dhipaka                        ---       51
dhvijAvanthi                   ---       28

gamakakriya                    ---       53
gamanakriya                    ---       53
gambhiranAta                   ---       36
gAnavAridhi                    ---       34
Gantha                         ---       20
garudaDhvani                   ---       29
gopikavasantham                ---       20
gopriya                        ---       62
gowLa                          ---       15
gowLipanthu                    ---       15
gowri                          ---       15
gujjari                        ---       15
gumma kAmbhoji                 ---       15
gundhakriya                    ---       15

HamirkalyANi                   ---       65
HamsaDhvani                    ---       29
HamsanAdham                    ---       60
HamsAnandhi                    ---       53
HaridhAsapriya *               ---       28
HindhoLam                      ---       20
HindhoLavasantha               ---       22
HindhusthAni bEHAg             ---       29
HindhusthAni kApi              ---       22
HusEni                         ---       22

IshamanOHari --- 28

jaganmOhini                    ---       15
janaranjani                    ---       29
janjUti                        ---       28
jayamanOHari                   ---       22
jayanArAyaNi                   ---       22
jayanthasEna                   ---       22
jayanthashrI                   ---       20
JinAvaLi                       ---       39
jingla                         ---       20
jujAHuli                       ---       28

kadhana kuthUHalam             ---       29
kaikavAsi                      ---       60
kalagada                       ---       13
kalAniDhi                      ---       22
kalAvathi                      ---       16
kalyANa vasantham              ---       21
kamalAmanOHari                 ---       27
kamAs                          ---       28
kAmbhOji                       ---       28
kAnadA                         ---       22
kannada                        ---       29
kannadaban'gALa                ---       15
kannadagowLa                   ---       22
kApijingla                     ---       22
kApinArAyaNi                   ---       28
karnAtaka bEHAg                ---       28
karnAtaka kApi                 ---       22
kedhAragowLa                   ---       28
kEdhAram                       ---       29
kiraNAvaLi                     ---       21
koiAHalam                      ---       29
kOkilaDhvani                   ---       28
kRushNaveNi                    ---       15
kunthalavarALi                 ---       28
kuraN~ji                       ---       29
kuthUHalam                     ---       29

lalithA --- 15

madhuvanthi                    ---       59
madhyamAvathi                  ---       22
malaHari                       ---       15
mAlavashrI                     ---       22
mAlavi                         ---       28
malayamArutham                 ---       16
mallikA vasantham              ---       15
mAnd                           ---       29
mandhAri                       ---       51
mangaLakaishiki                ---       15
maNirangu                      ---       22
manjari                        ---       22
mAnji                          ---       20
manOHari                       ---       22
mArgaHindhoLam                 ---       20
mEchabowLi                     ---       15
mEchakAn'gi                    ---       53
mEGaranjani                    ---       15
mOHana                         ---       28
mOHanakalyANi                  ---       65
muKAri                         ---       22

nabhOmaNi                      ---       40
nAdhachinthAmaNi *             ---       22
nAdhanAmakriya                 ---       15
nAdhatharan'gini               ---       22
nAgasvarAvaLi                  ---       28
naLinakAnthi                   ---       27
nArAyaNagowLa                  ---       28
nArAyani                       ---       28
nAta                           ---       36
nAtakuraN~ji                   ---       28
navarasa kalAnidhi *           ---       28
navarasa kannada               ---       28
navaroj                        ---       29
nAyaki                         ---       22
nIlAmbari                      ---       29

pAdi                           ---       15
panchama rAga                  ---       22
phalamanjari                   ---       22
pharaz                         ---       15
prathApa varALi               ---       28
pravAlajothi                   ---       28
punnAgavarALi                  ---        8
pUrNachandhrika                ---       29
pUrnalalitha                   ---       19
pUrnashadjam                   ---       22
pUrNashajja                    ---       20
pUrvi                          ---       15
pUrvikalyANi                   ---       53
pushpalathika                  ---       22

rAgapanjaram                   ---       28
rAma manOHari                  ---       52
ranjani                        ---       59
ravichandhrika                 ---       28
rEvagupthi                     ---       15
rIthigowLa                     ---       22
rudhrapriya                    ---       22

saHAna                         ---       28
saindhavi                      ---       22
sAlakabhairavi                 ---       22
sAma                           ---       28
sAramathi                      ---       20
sAran'ga                       ---       65
sAran'ganAtha                  ---       15
sarasvathi                     ---       64
sarasvathi manOHari            ---       28
sAvEri                         ---       15
shrIrAga                       ---       22
shrIranjani                    ---       22
shruthiranjani                 ---       61
sidhdhasEna                    ---       22
sindhu bhairavi                ---       10
sindhu kannada                 ---       28
sindhu mandhAri                ---       29
sindhu rAmakriya               ---       15
sowrAshtram                    ---       17
sudhdha ban'gALa               ---       22
sudhdha dhanyAsi               ---       20
sudhdha dhanyAsi               ---       22
sudhdha dhesi                  ---       20
sudhdha rAga                   ---       57
sudhdha sAvEri                 ---       29
sudhdha tharan'gini            ---       28
supOshini                      ---       28
supradhIpam                    ---       17
surati                         ---       28
svarabhUshani                  ---       22
svarAvaLi                      ---       28
svaravEdhi *                   ---       28

thakka (a)                    ---       15
thakka (b)                    ---       15
thilan'g                       ---       28
thivravAHini                   ---       46

umAbharaNam --- 28

valachi                        ---       16
varALi                         ---       39
vasanthA                       ---       17
vasanthabhairavi               ---       14
vegavAHini                     ---       16
vijayanAgari                   ---       58
vijayashrI                     ---       41
vijayavasantha                 ---       54
vINA vAdhini                   ---       28
vIravasantham                  ---       24
vivardhini                     ---       28

yadhukulakAmbhOji --- 28
yamunAkalyANi --- 65

-----------------------------------------------------------------------------

Kishore BalakrishnanLast Updated: Sunday, 8th July 2001
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